Mangione: The Making and the Meaning by John H Richardson – Understanding a Criminal?
On December 5, 2024, a leading publication published the headline “Insurance CEO Gunned Down In Manhattan”. The report then noted that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then calmly departed the scene”. The murder in broad daylight was truly cold and shocking. But numerous US citizens had a different response: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt like a release. Online platforms erupted. One comment stated: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company created to maximize profits on your health.”
Less than a week after, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania alumnus with a master’s in computer science, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with prosecutors seeking the capital punishment. So who is Mangione? And what drove the alleged crime? These are the questions John H Richardson seeks to resolve in an investigation that delves into wider topics, too.
Understanding the Person
A journalist for Esquire magazine, Richardson devoted considerable time to studying the groups that lurk in the dark corners of the internet, producing articles about people “cursed with realistic fears about an end-times scenario”. To uncover “the making” of his subject, Richardson first examines Mangione’s wide-ranging book list. We learn that “[when] he was arrested, Luigi had a list of 295 books on Goodreads”. Their content covered climate change to masculinity, along with a “focus on his own self-improvement, both physical and mental”. Additionally, Richardson sifts through his communications with influencers and authors as well as his many posts on digital networks. These original materials, meant to paint a portrait of Mangione, instead render him an amorphous figure. Richardson attempts to explain this by proposing that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Here, as elsewhere, Richardson tries to frame his subject in archetypal terms.
Mangione is deeply anxious about the world around him, one where ‘change is rapid whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “refuse” and “remove”, engraved on the bullets left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to reject claims. He examines the evidence Mangione had a chronic back condition, which might have provided motive for an attack, but discovers no confirmation; instead, what meaning there is seems to rest in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to ultimately either dominate, or eliminate humanity, or both.
Missing Pieces
Notably missing from the book are conversations with the principal actors. Richardson asked, of course, but did not anticipate access to Mangione himself. And his family made it clear that they had chosen not to talk to the press in advance of the trial. Another flashing-yellow omission is any significant information about the deceased, Thompson, though we learn that under his leadership, from 2021 to 2023, company earnings increased by 33%.
Unclear Conclusions
By book’s end, the audience has no clear understanding of Mangione’s character or what might have motivated his alleged crimes. Worse still, Richardson’s obvious sympathy for him creates the disturbing feeling of having been privy to a veiled endorsement of an targeted killing. In the book’s closing remarks, Richardson delivers his mythical interpretation: “We’ve entered a era of stories, the insane ruler, the beast in the labyrinth and the emperor without clothes.” In that fable “Robin Hoods come with a appealing vow … They arrive in periods of unrest, when the people are suffering and everything is confusing anymore.”
One thing is certain: as Mangione’s defence team works to have charges that could lead to the death penalty dismissed, any reference of myths, folk heroes, champions or villains will not be allowed in court in defence of this handsome young man with a “jawline … and lips … out of a Caravaggio painting” soon to be on trial for murder.